#InSouliloqyRevisited Artist Callout!

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We would love for you to collaborate with us on our exciting new platform #InSouliloquyRevisited – this is a fabulous chance for us to connect with other artists and also to explore different meanings and interpretations of our texts.

Please drop us a line for more info – in the mean time have a look through our previous cycles and see if anything jumps to mind?

We’d love to work with you!

Tilly and Victorine x

Happy National Poetry Day!

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Some of our favourite lines to celebrate #WorldPoetryDay2017.

Why not revisit our portfolio.

 

In Souliloquy: Shakespeare Shaken-Up! @ Grosvenor and Hilbert Park, Tunbridge Wells.

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In association with Tunbridge Wells Borough Council we are presenting Shakespeare Shaken-Up at The Hub, Grosvenor and Hilbert Park, 7pm, Tuesday the 24th October.

The presentation/performance/discussion will include screenings of a selection of souliloquies, a live performance and facilitated discussion on our practice and this project as well as how digital/live theatre stages interact and how we as artists interact and engage with source Shakespeare texts.

We would love to see you there!

New 2017 In Souliloquy Trailer!

Why hello there – we have a gorgeous new trailer pulled together by Victorine to celebrate both our body of work (go on check out our portfolio) and in anticipation of what is to come.

It features familiar faces from our talented collaborators – especially the wonderful voice of Lydia Lane as Marina. An edited down version of her monologue voices over the footage of our work.

As always all directed by Victorine and written by Tilly (Orlando and Margaret of Anjou written by Victorine).

In development at the moment

  • The rest of our ET TU series
  • Summer Seasonal Souliloquy
  • Autumn Seasonal Soulilouuy
  • Mechanicals’ Macbeth!

 

Please enjoy this reminder and stay tuned for more new work soon!

On Jessica and the Other.

As a writer tackling classical work and characters I’ve not had a problem feeling a contemporary resonance in the words, performance, character, form of anything we have produced. Yet, with Jessica In Spring I specifically wanted to address the tone, vitriol and horrendous narrative that has become a part of our politics, our media and our life over the past few years.

Brexit, Trump – 2016 was a year that apart from anything else legitimised voices that Othered. ‘Us’ and ‘Them’ – let’s blame poor people, people with a disability, different gender, immigrants, those who do not look like us. Let us not turn in and look at ourselves, let us not look to work together; let us point fingers and be rude, because that is Presidential, isn’t it?*

So Jessica came out of this place, of giving a voice to this Other – to someone who is Othered by circumstances, birth and also in her choices. Her choice to convert and marry out of her religion gives her some level of acceptance in society but she can never truly become part of the world she has made the choice to ‘join’ because she knows it for the sham it is.  Like those of us who are Othered, she knows much more of the world and her place in it than someone who has never been in that situation. I wanted her to articulate the fierceness that comes with this knowledge.

The concept of privilege is interesting to me because awareness has some bearing upon it but also those who are resolutely unaware often have the most. Jessica is privileged in some ways but she’s also Jewish and a woman in a time where she was legally a chattel of first her father and then her husband. It her experience as the Other experience that rounds her person into who her husband fell in love with – she dares the listener and him to accept her for all she is, shadows and all – rather than a beautiful construct of a good little wife. Ultimately that’s who we all are. People. I think Jessica speaks of that.

In Spring too, we have all these connotations of ‘new life’ and ‘rebirth’ of the year but this can be sad too. She is someone (in our version) who actively embraces this duality. I think her words in voiceover over the moving images works really nicely to communicate this. There are layers to her that she won’t deny.

Jessica In Soulilouqy from In Souliloquy on Vimeo.

 

So please watch AND listen – both, together, separately. She has something other to say.

 

x Tilly

 

*FFS. No it’s not and I know Orange McOrangeFace won’t read this but omg, ew, what an awful excuse for a human.

Jessica In Spring.

Jessica In Soulilouqy from In Souliloquy on Vimeo.

Know your own shadows.

Performed by Diana Kessler
Written by Tilly Lunken
Directed by Victorine Pontillon
After William Shakespeare’s The Merchant of Venice.

In Souliloquy is devised and produced by V&T
Jessica In Soulilouquy is a Seasonal Soliloquy.

Music:
Ever Mindful by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
creativecommons.org/licenses/by/3.0/

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Introducing: Diana Kessler as Jessica.

Jessica In Spring is our seasonal souliloquy for the spring months of 2017 – and we are delighted to welcome Diana Kessler into the role. We have recently filmed this lovely piece and it is due to be released before we hit Summer solstice!

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After stints in Berlin and the US, Diana is delighted to now be based in London. She’s performed and produced plays at the English Theatre Berlin, BATS Theatre in Wellington, and the Tristan Bates and Cockpit theatres in London. She trained with Dominic Kelly at the salon:collective and with Mary Docherty in The Actors Class, and is honing her directing skills in The Directors Cut. Diana is excited to be putting her German language skills to use in her current job, where she’s the voice of main character Roshni in the German version of “Jamai Raja”, a popular Indian TV show.

We are delighted to have Diana as part of our In Souliloquy family!